The Warpsters Towel Exchange

The Warpsters Study Group decided about a year ago to do a towel exchange, and somehow the year got away from us.  Finally last month, several study group members shared the results of their study, and everyone agreed that they were thrilled with the 4 towels they got to take home!
The parameters for the exchange were:

  • Pattern is weaver’s choice.  Choose any pattern/structure that you would like to study. 
  • Colors and fibers are also weaver’s choice
  • You are encouraged to do something different with each towel.  Try experimenting with tie-ups and treadlings.
  • Finished size should be approximately 18″ x 30″ after hemming – give or take as needed to work with your chosen draft
  • We will exchange 4 towels

Janice

My draft was #246 from the Strickler book, “A Weaver’s Book of 8-Shaft Patterns”.  I used 3 different yarns for my warp.  I used an 8/2 Ringspun cotton warp dyed by Kathrin Weber (192 ends), some 8/2 cotton, tan (192 ends) and 6/2 cotton in Red/Violet (102 ends). My weft yarns were various colors of 8/2 cotton.
 
For two of the 4 towels I followed the treadling in the book.  For the other two, I wove with a modified treadling.


Selde

The pattern for these towels was the Lightweight Cotton Towel pattern from Yarn Barn’s 2021 Catalog (p 28). I loved the photo and was enamored with 16/2 unmercerized cotton, so I gave it a try and ordered the kit with natural and beige to start.  The warp was sett at 30 epi and the treadling was woven with a tabby.  The result was so pretty I made another set of 4 with a very light pink background and lilac pattern.


Sue
Huck Lace Square Pattern adapted from Lofty Fibers pattern – July 2022

​Fiber: Lunatic Fringe’s Hemp, Lyte Hemp (2-ply) Fine, “Earthtone” and “Bright” collections. 1.5oz mini cones. 

4 shaft, 4 treadles/12 dent reed
Warp 24 epi & Weft 24 ppi 

The fun part of creating these towels was the weaving, I was able to play with the color as I wove, keeping notes to figure out where I wanted to repeat a color and how large. 
It was a lot of fun watching the colors play with the structure and then introducing different colors in the horizontal bands when I ran out of a particular color.


Pattie
​At Convergence 2 years ago, I dyed two 8/2 cotton warps under the supervision of Kathrin Weber.  I used those 400 ends and 2 stripes of solid color to make a 500-end warp for these towels.  The draft is a 4-block 16-harness turned twill.  The warp was sett at 24 epi and measured 20.8” in the reed.  For weft I used a variety of colors of 8/2 cotton, including golds, soft blue, and soft greens.  The towels were woven at 18-19 ppi with 2 different treadlings – one creating boxes, the other more of a traditional turned twill.

Jane

​After taking Kelly Walsh’s class, Overshot as Inlay, last August at TFAC,  I wanted to use the techniques I learned for the towels we were exchanging in our study group. The draft I chose was the Trellis pattern from Weaving Designs by Bertha Gray Hayes, Miniature Overshot Patterns, pg. 150.  Inlay is a fun technique with endless possibilities and I find it to be easier to use than pick-up.   
432 ends, sett at 20 epi. I used 8/2 cotton for the warp, weft and pattern.  I did not double the pattern weft.  


Sharon

I used 8/2 cottolin, changing yarn colors. The directions give 3 different treadlings.  I had about 7% shrinkage.  II used a pattern called “Moscow Nights Tea Towels” from Handwoven (March/April 2015).  It is a snowflake twill with point twill treadlings.  I used 8/2 cottolin sett at 24 epi.  I used several different weft colors and each of the three treadlings  I had about 7% shrinkage. 


Charlotte

Traditional Monk’s Belt Kitchen Towels, inspired by an article by Deedee Woodbury, Handwoven Magazine, Design Collection 18.
I used 10/2 cotton, natural for warp and plain weave and 8/2 cotton, in various colors for pattern.  Sett 24 in a 12-dent reed, ~22” weaving width

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